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The rave as rhizome [Introduction]

have the following before you begin reading this article:

- This text is designed for reading both linear and fragmented.

- The brackets indicate text internal links with a number to be sent to one or several points along it.

- content will distinguish between virtual and actual, the former is differentiated by being in italics. For both words understand what is postulated by Pierre Lévy , virtual being that procedural, projective and open, whereas now it is concrete, equipped with shape and closed.

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The rave as temporary autonomous zone [virtual content]

1. A rave is a temporary autonomous zone (TAZ), a guerrilla operation through a free holiday open concept area and dissolves itself to be reconstructed in any other place or time before the system can reduce [ 4 , and 9 17 ].

Technorati tags: rave, TAZ

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The lawless condition of the rave [virtual content]

2. The condition of lawlessness of the temporary autonomous zones, as stated allows Emiliano Iliardi : "put the subject in a different position in relation to the production-consumption dialectic" [ 9] which allows " experimentation with new forms of musical production, audiovisual, multimedia, a new way of living the fun, new styles, semiotics, values \u200b\u200band symbols "is not even codified by the system and therefore invisible to the same [ 12 ].

Technorati tags : TAZ, Emiliano Iliardi

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The centrality of the "sound system" [current contents]

3. A rave is organized through which the influence of Jamaican culture has been called " sound system." A "sound system" is primarily a group of people who has a party thanks to your sound system which already serves as an excuse for gathering around him a number of individuals. Therefore a rave today is basically a musical party by a "sound system" in an autonomous zone that comes face to face with the entertainment offered by the system.

Technorati tags: rave sound system

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official history of the raves [current contents ]

4. The official history of raves has its origins in the movement of "counterculture" Hippie, once it was reduced by the Nixon policy in the United States many of its members decided to go to places remote and rarely visited by civilizations as such as India, Thailand and Ibiza.

was just on the beaches of Goa (India) where in the early seventies were the first raves accompanied by the music of Pink Floid or Janis Joplin, which he quickly became popular and were known to global mid-eighties.
During this time made its appearance acid-house and mdma which came together in Ibiza where young English under its influence, and following the example of Goa, began making the first raves in Europe peaking in the summer of 1988 which was known as " the second summer of love ." Back in England, later that year, he tried to reproduce the same environment through the occupation of abandoned factories and warehouses, which created some controversy accentuated by the echo of that became the media on drug use them. That is why the Government decided to act before the relentless escalation of raves taking place and enacted a law which attempted to force the parties enter into legal clubs.

Although the government's measures had greater organizational capacity necessary to mount an illegal party, since 1991 came a second wave of raves that came from the hand of " Traveller", a collective nomad, traveling all over the UK doing festivals on occupied land which had already provoked a repressive response from the government in the riots of Beanfield 1985. Thanks to this the element of political confrontation and reflection on the meaning of illegal parties became much more visible going up to the culmination of this period with the rave of Castlemorton Common in May 1992 that lasted a week and 40,000 people attended, being remembered later as the first " TEKNIVAL . " In the period following the intervention succeeded Castlemorton police, sometimes violent, against the illegal and their parties, especially against Spiral Tribe . Appearing in 1992, the Criminal Justice Bill harshly punishing the illegal parties and raves and used the term "repetitive music."

Technorati tags: Goa, acid house, mdma, Ibiza, traveler, Teknival, Spiral Tribe, Criminal Justice Bill

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crystallized concepts in today's raves [current contents]

5. The content that has been crystallized through the official story is: all the formula that emerged from Goa progressed to a musical style called psycotrance which together with the consumption of psychoactive substances brought back to the forefront a taste for Eastern religions and tribal cultures that already seen in the tail of the Hippie movement, and Today travelers still find some influence of Spiral Tribe. His greatest contribution to the raves have been the institution of a value to continue to be held in the " second summer of love": the PLUR or what is the same Peace, Love, Unity and Respect. Along with this value is popularized a new name for the raves that made explicit his subversive to the system status: "free parties" (free parties) which would inevitably linked to PLUR since.

Technorati tags: Goa, Spiral Tribe, PLUR, free parties

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Increased aggressive sounds in the raves [current contents]

6. The incorporation of psycotrance and acid-house to the market made these styles becomes boring and caused the sounds of many "sound systems" were becoming more aggressive as such to prevent their absorption into the channels of commerce. This is how we are today with styles like hardtek the hardkore, or bordering speedkore noise barrier [12 ]. An example of this process of absorption and rejection has been the famous rave Love Parade "that began in 1989 carried out illegally by the Berlin underground movement as an expression of international PLUR over be certified and sponsored by big brands advertising, which since 1997 has led to a new illegal reaction called Fuckparade . "

Technorati tags: acid house sound system , Love Parade, PLUR, speedkore, Fuckparade

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Dispersal raves [current contents]

7. Because of the emergence in England of the Criminal Justice Bill groups " Traveller" scattered throughout the rest of Europe, especially France and infected massively multiplying their ideas the emergence of "sound systems" taking as a model of collective philosophy Spiral Tribe. Such growth gave rise to the proposal to form an annual festival called since then " TEKNIVAL " where all groups would combine to offer a massive party that was more difficult to dissolve by the police.

Technorati tags: Criminal Justice Bill, traveler, sound system, Spiral Tribe, TEKNIVAL

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Overcrowding of the raves [current contents]

8. Today's raves are absolutely known all the media coverage of teknivals in France has succeeded in adoption increases and the subsystem called government can not cope with more than negotiating with the collective or using extreme violence. This may seem a triumph, but has led the professionalisation of the subject, now called the "raver" encoded in a locker room, a lifestyle and a model of party where the PLUR has become legendary and marketed a fetish everyone seeks and speaks, but nobody is.

Technorati tags: rave, Teknival, PLUR

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Forgotten History of the raves [online content]

9. There may be a second story of the raves, we may still escape the system once again: The practice of the concept of TAZ [ 1 ] can be traced to the Situationist movement, which took such attempts "failed "avant-garde Dada and Surrealist synthesized by a deliberate" outsider "art, life and dream and reason. Situationism playing with a double-edged sword that was his Marxist understanding of the commodity, which led them to create "situations" that released the individual space-time form of production and consumption established by the system [2 ]. Here would come with political tints, which subsequently impregnated May 68 [10 ], the practice of "displacement" and used years before by Duchamp. Unfortunately, the situation reached fame and this led to a series of struggles within the group that eventually caused it to reduce to a person, a founding member Guy Debord, who was disgusted by his own celebrity and decided to disband the movement in 1972.

Technorati tags: TAZ, Duchamp, Guy Debord

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The history of punk as raves [online content]

10. Among students of May '68 was the artist Jamie Reid, who was then art director of the first punk rock band from England: The Sex Pistols . This group formed in 1976, recovered what remained of the situations [9 ] reinterpreting contributions under the "pop" of Andy Warhol. The idea was a variation of the TAZ [ 1] and was placed at the top of the list of sales a "musical product" popular front to attack the "establishment" attitudes and English with provocative statements and even self-destructive [11 ]. They succeeded, but at the cost of disappearing in 1978 after a U.S. tour incendiary releasing scenarios.

Technorati tags: Jamie Reid, punk, Sex Pistols, Andy Warhol TAZ

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The legacy of punk [online content]

11. In a show of tolerance, the system managed to absorb the punk in him to reduce it to a predictable cliché. Heroin finished doing the dirty work and as an official drug of this kind was carried in front of thousands of young people. The few who survived the punk were two ideas that had great impact on the raves: the need to vindicate individual liberty above all, would be expressed through the slogan "Do it your self", and the noise as a strategy to achieve it. The first has a direct precedent in the situations [ 9], but it is the latter that deserves more attention [12 ].

Technorati tags: punk, noise

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Noise as an aesthetic element of the raves [online content]

12. We must take a broad view of the concept of "noise" sound through interpretations to achieve aesthetic framework. The noise is that violence the system has "scrambled" monopoly [ 1], which has not yet been made "audible" and remains unclear, a signal that disturbs the reception of a message. In the field of sound we have to send us back to the vanguard and in particular the future to find a precedent in the work of this theme, which was Luigi Russolo that led to the extreme in his manifesto on the art it sounds predicted three years earlier by Balilla Pratella . The claim of this avant-garde noise was picked up by John Cage through Schoenberg search allowing sounds to be more direct than those produced by machines. This atmosphere of "happening" is that breathing in the moment that punk emerged [10 ] and proved that anyone, even a youth worker in the unemployment line, I could get to write with three chords on your guitar. As expressed by Jacques Attali: "The real pleasure of the composition may exist outside the market economy, just for fun, where violence can be recanalized through creation" and the free circulation of works.

Technorati tags: noise futurism John Cage, Jacques Attali

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The "swarming" as an expression of noise [online content]

13. If a rave is to remain invisible to the system must be organized around the noise [12 ] and in particular around the indecipherable murmur that generates the sound that will always be out of history [4 ]. This is clearly reflected in how few years has changed in the way of doing advertising for the holidays, if you first had to find a flyer or know of someone you know who you might now take up these new technologies facilitate it all, either by calling a mobile phone or surfing the Internet. Although this has led to greater overcrowding parties has also led to greater anonymity of the individual [ 17] and a rapid reaction strategy to unforeseen events and thus the "sound system" [3 ] party may move to other places in the course of one night (or day). This tactic combines the TAZ [ 1] and new technologies has been called "swarming" [ 14, 15 and 16] and it depends the future of the raves.

Technorati tags: noise rave, sound system, TAZ swarming

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The "swarming" as a way of organizing raves [online content]

14. The "swarming" [ 13, 15 and 16] is a tactic that primacy look before the historic geographical (or ideological), as expressed José Pérez de Lama referring to Deleuze: "The room, the city, the territory have been disclosed, as a privileged site of struggle, "knowledge and action," here and now, for control over our own lives, that is, construction of autonomy "[ 1 and 17]. Reality has become a large P2P network rebuilt immaterial flows incessantly that cross [ 17]. The Zapatista movement and the riots in Seattle in 1999 are direct precedents for this new way to steal away through the cracks of the system [9 ], where "each time a network of small local nodes, often ephemeral and scattered connected to global networks, have been able to organize and impressive flows converge to appropriate the city for a few days to let his memory there of struggle and disagreement, spreading then to become almost invisible, pending next swarming. " The clearest expression of this strategy has been, David Ugarte as shown in the riots that occurred in the outskirts of Paris during November 2005, where " The night was moving and the day of blogs. The motive was the tool of coordination in the blog action and extension method and learning from night. "

Technorati tags: swarming, José Pérez de Lama, P2P David Ugarte blog

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Boredom as a generator of "swarming" [content virtual]

15. One option proposed Juan Urrutia to understand the power of "swarming" [ 13 , and 14 16 ] is through the economy desmercada stating that the rebellion is rooted in the dissatisfaction caused by boredom, which arises when a system is in balance made by patterns of conduct that all individuals are, we all expect others to follow, and everyone wants to follow if others follow. Thus, boredom in the absence of surprises in life allows invasion of different patterns that can generate a dynamic between individuals who end up taking the system to another equilibrium. Whatever the way forward so this argument reveals is that: "Rebellion requires, if we want assurances that the outbreak, the common knowledge of the threshold of rebellion" that allow us to know if our environment is determined to make the move to a different behavior on the set. This is where P2P networks and strategy of "swarming" have meaning, they allow the individuals close to meeting our concerns a time that overlaps with an event urgent and concrete is being simultaneously.

Technorati tags: Juan Urrutia, swarming, P2P

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The rumor as a generator of "swarming" [online content]

16. The "swarming" [ 13 , 14 and 15] is based on rumor a dynamo flow taken as a certain number of expectations to an emergency event that occurs at present and according Juan Urrutia "need to do within its own logic [ 15], as any attempt to provoke, to push, to produce it is doomed to failure." In the case of such urgency raves at the party takes shape, the need to liberate the individual from the space-time as production and consumption established by the system [2 and 9]. That is why we we must ask: Does it really the sound of swarming can not be made? Do we have to wait for the passing of the "social history" to make us lose the patience to give rise to rebellion? Here it is necessary a new interpretation of the artist and the rumor [ 17].

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The rave as rhizome [online content]

17. The artist today must be an anonymous individual who acts as flow generator flows that push to create temporary autonomous zones [ 1 ]. the rave as a promise of a liberated space for action is meaningless from the moment it depends on the centrality of the "sound system" [ 3 ] , this is not just a new alienation of the individual who can be overcome if we conceive of as a flow present in the rave and possible flow generator. On the other hand, PLUR must be removed to be a concept that paralyzes the multiplication of differentiated flows by reducing everything to your stupid ideal of peace and love hippie inheritance [5 ] be recovered self-destructive history that was forgotten after the punk [ 11 ] and resisted only crystallized hardtek noise, the hardkore and speedkore [ 6 ] . Forget what the rave is to be allowed to renew their concept before the end system to reduce it to mere cliché [4 , 6 , 9 and 11]. today and everybody knows it [ 8 ] , now the question is how these young men who burned cars in Paris dancing to the crackle of the metal in the fire? [ 12].

Technorati tags: rave, TAZ, sound system, P.L.U.R, punk, speedkore